AES Fall Convention 2022

John Whynot & Jason Larocca examine and compare their current approach to mixing film scores

Specific topics covered will be:

• Mixing remotely in teams – sharing, mirroring, transmitting information between widely separated mix facilities

• Updated standards and practices regarding file format, stems, naming, compatibility

• Making mix stems for use in Dolby Atmos – issues and considerations of asset use, editability, compatibility with re-recording

• The complexity & urgency of asset capture, transfer and compilation

• Managing the insane turnaround

• Co-mixing feature film scores; working together separately